What to wear to your shoot

Clothes you feel good in that fit well, in solid colors or simple textures. Pick the outfit for the weather first, then the location, because the location decides which colors look good. Use the picker above and it works through both.

It depends on the background. Colors that contrast with the setting stand out, and colors that match it blend in. Deep blues and teals work against red rock. Rust and mustard pop against green forest. Burgundy and navy hold up against snow. The picker lists good and bad choices for each location.

Small, tight patterns like thin stripes and tight checks can shimmer on camera. Large, simple patterns are fine. If you're unsure, pick solid colors and add interest with texture, like knit, denim, linen or leather.

Coordinate, don't match. Choose two or three colors from the same palette and wear different shades of them. Skip two big competing patterns, and wear clothes you can move in, since you'll be close together and walking.

Layer thin, warm pieces under a long coat you can drop for the frame, like a base layer, a knit and a wool coat. Keep gloves, a scarf and a hat in your pockets, and warm your hands between setups. Cold hands look red and stiff on camera.

Bring both. A second outfit costs nothing, and it gives us a second look from the same session. I'd always rather have a backup than rush a change in bad light.

Yes. Warm light at golden hour makes earth tones and cream glow. Midday sun is harsh, so lighter, breathable clothes help, and so does a hat between frames. After sunset, dark colors disappear into the sky, so lighter colors stand out.